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IT was a gray, cold day, unusual for May, the kind of day that accords with ill-nature. It reminded Billy of the incident of the opera when Rain and Storm, driven by his own insistence, had blown in on the stage quite out of season, and dragged off with them the remnants of winter. For the first Sunday since May Nell’s coming he took his wheel after dinner and went off alone. He was in accord with the sullen sky and air. In the morning he had answered his mother angrily; because Bouncer wished to play instead of coming through the gate when called, Billy had slammed it on his tail, knowing well that in a happier mood he would have been more careful. “Take May Nell into the garden with you, Billy,” Mrs. Bennett said; “I shall be busy with the Saturday work, and she will be happier in the sunshine. And don’t speak of the earthquake,” she warned him aside; “she must forget that as fast as possible.” “Oh, Billy To-morrow! You won’t have half time enough to play. You’re a regular Mexican,—always mañana!”.
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“Yeh, Mar says I’m a reglar jographer I like it so much.” Edith worked very hard. She called her operetta “The Triumph of Flora.” The words were her own, written hurriedly and set to familiar though classic airs. Yet many of the daintiest, most tripping melodies she wrote herself. The sorrows of humanity had winged her brain and dipped her pen in harmonies, that she might assuage them. “Now Moses,” announced his mother, “Jist for a change an’ rest like, turn this here separator.” “I am not going to let you see any more compositions,” exclaimed Nell, “You are just making fun of my poor children.”.
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